Once again, sorry for the late update. I’ve been working on my dissertation all week and, after an intensive day of reading and writing about art markets and entering auction data into a spreadsheet, it’s a bit hard to concentrate enough to talk about art market news not relating to the Japanese market.
So, the Sotheby’s Contemporary Evening sale that occurred last week on 1 July. Not surprisingly, the beautiful yet small Study for the Head of George Dyer, 1967, by Francis Bacon exceeded the £8m – £10m estimate (that was available on request) to sell for £13.8m ($27.5m). Because it is such a small (14 in x 12 in) painting and a study, I wasn’t expecting a crazy price like Abramovich paid for the large Triptych. However, with the beautiful colors and movement and intimacy and strong brush strokes, I had no doubt that it would go over estimate.
I was, however, surprised to see how well Murakami’s work did at the sale. DOB Flower, 2000, sold for £825,250 ($1.6m). Mushroom-1, 2000, went for £481,250 ($959,709) and a statue of his character Kiki from a 2000 edition of 5 came in at £361,250 ($720,405). While Kiki came in underestimate, the two paintings surpassed their high-end estimates. I’m surprised by this because they’re very impersonal Murakamis, I haven’t researched them but I assume they were produced in the studio. However, they did both come through Galerie Perrotin in Paris where they were exhibited in 2001. Also, they both show iconic characters often produced by Murakami. Still, despite my surprise, I’m happy – helps me in proving my dissertation hypothesis!
The U2 Basquiat did alright, selling for £5.1m ($10.2m), under the high-end estimate of £6m, but still a nice little packet for the band to split.
And Gormley’s maquette for Angel of the North, 1996, sold for £2.3m ($4.6m), well above the £600,000 – £800,00 estimate.
The sale total was £94.7m ($188.9m), just exceeding the pre-estimate of £92.6m. It does seem to be a bit of a bear market at the moment. But I’m not yet sure how much of this is a result of the overall financial situation, or how much of this is just contemporary art prices re-adjusting themselves from the excessive highs they have been at lately. I’m rather inclined to think it’s simply a bit of both.
NB – all sale results include Buyer’s Premium



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